Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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george gower
Lettice Knollys

ID: 94296

george gower Lettice Knollys
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george gower Lettice Knollys


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george gower

(born c. 1540 - died London 1596) was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.   Related Paintings of george gower :. | Mary Cornwallis | Hon. Charles Somerset | WLA ima Lady Philippa Coningsby | queen elizabeth i by | Elizabeth I of England, the Armada Portrait |
Related Artists:
Ernst Sigismund Kirchbach
painted The Forge of Vulcan in between 1869 and 1875
CASTELLO, Valerio
Italian painter, Genoese school (b. 1624, Genova, d. 1659, Genova) Painter and draughtsman, son of Bernardo Castello. He was one of the leading Ligurian painters of the 17th century, whose art developed from a continuous and passionate study of a wide range of sources. His paintings of mythological and religious subjects unite an elegant figure style with an interest in dramatic and violent compositions; his touch is spontaneous and his palette vibrant with reds and pinks, blues and yellows. His brilliant decorative frescoes introduced the splendour of the High Baroque to Genoese painters. He was well known for his rapid oil sketches, with light and lively brushwork, which anticipate aspects of the Rococo.
John Robert Cozens
British 1752-1797 ). Painter, draughtsman and printmaker, son of (1) Alexander Cozens. He was taught by his father, and an album by John Robert (Aberystwyth, N. Lib. Wales) indicates that he also learnt to sketch landscape directly from nature. The album contains drawings that record sketching tours to Nacton, near Ipswich, Suffolk (Aug 1768); day trips to the outskirts of London: Greenwich and Blackheath (1768, 1771), Epsom (1768) and Hampstead (1770-71); and a trip to Matlock, Derbys (June 1772). The earliest of these sketches are careful pencil drawings, some later reworked in pen, ink and wash, and there is at least one attempt at added colour. Later drawings are freer, either noting an idea for a composition or recording light and shade with rapid washes of ink over pencil. His father worked mainly in monochrome brown or grey washes, and John Robert earliest exhibits (he exhibited at the Society of Artists every year from 1767 to 1771) were also in this medium.






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